This task involved creating a conversation between two characters, including the shot-reverse shot technique. An important aspect of this was the use of the 180 degree rule - the camera stays on one side of an imaginary line that runs between the two characters. I also used a master-shot, both at the beginning and at the end of the dialogue. I included these because, whilst editing, I thought it would give a sense of scene and setting, whilst showing both characters that were involved in the clip.
What I found a problem during this exercise was the diegenic sound was drowned out by the heavy wind. Therefore, the use on non-diegenic sound would have enhanced the clip.
Welcome to my Blog! This is where I will be documenting my progress throughout the AS course. It will contain first drafts, ideas, inspiration and final pieces of my work throughout the year!!
This clip is the beginning of a film in the thriller genre, titled 'Homecoming'.
I edited it using the Adobe Premier Pro software, which I find relatively simple to navigate. The spectrum of effects that are available to you enables complex editing - perfect for this task.
At the start, I used a panning shot showing a reaction shot of one character, then a walking shot of another. I used this because it allowed the whole shot to flow within the early stages, therefore keeping the pace slow.
I also used a cross-cut to a shot of the sun. The first time I used to I edited it into black and white. I used it to disorientate the viewer, echoing the mystery of the thriller genre.
The next shot I used was a master-shot of the shadows, as one character is giving something to the other. I hoped this would disorientate the viewer, much like the cross-cut to the sun, and put emphasis onto this transaction - leading the viewer to believe that it's a significant point in the clip. I also used a shadowing effect to really define the movements and give a surreal feel.
The next shot included a straight cut to a hand slamming on the desk. This cut is quick, unlike any of the previous cuts, which introduces pace into the film. This is much like some cuts in a clip we studied of Hot Fuzz - quick cuts and short shots inject pace into a film (e.g. the shooting shooting scene).